How I Kung Fu by Charly Fasano for Suspect Press Issue 14. Block by block karate this is how I kung fu, sleeper hold ghost ride behind black eyes, hide my vacancy as I shuffle down South Broadway.
Album Review: Pueblo Escobar, Self Titled for Suspect Press Issue 14. A few weeks back, I had a friend visiting from out of town (who used to live in Denver) and when I asked him what was on his itinerary for his trip…
Album Review: Natalie Tate – Broken Open Review by Scott LaBarbera for Suspect Press Issue 14. I fell in love with Natalie Tate’s angelic voice when I had the accidental privilege of hearing a friend /co-worker…
Album Review: Ned Garthe Explosion – Flashlight Tan by Scott La Barbera for Suspect Press Issue 13. I was first introduced to Ned Garthe Explosion by Aaron Collins when I booked his band…
Album Review: Joe Sampson – Chansons de Parade review by Scott LaBarbera for Suspect Press Issue 13. On the fourth track of Joe Sampson’s latest album, the celebrated Denver songwriter moans…
Cold Crushed: Why We Can’t Lose Denver’s Premier Hip Hop Club by Ru Johnson for Suspect Press Issue 13. Just before Tyrone “TJ” Adair was gunned down just outside the patio at Cold Crush…
At Home With A Ghost: Watching Harry Nilsson’s Voice Die by Sarah Kernochan for Suspect Press Issue 13. 1974 was the year RCA released House of Pain, my first album as a singer-songwriter.
Future Visions by Aleeya Wilson for Suspect Press Issue 13. The future is, a fickle mess, of finesse,, land pulled, from under, institutions like, a dinner tablecloth.
