Category: Issue #14

  • Drier Every Day

    Drier Every Day

    By Rebecca Hannigan

     

    We have water, but not much. My daughter takes it straight from the toilet. My husband can’t stay away from the storm drain. It’s dry. It’s getting drier every day. So dry that dinners are different, denatured. Like last night.

    Last night I made noodles. And by “made,” I mean broke into pieces and scattered onto our plates like pick-up sticks.

    It was a culinary excursion. An expedition. An expiation, for all the water crimes we and, more seminally, our parents, have committed.

    “Well,” my husband said and stuck noodles in his mouth. “It’s, umm,” his eyes narrowed to slits, like little accusations. “It could use some salt,” he said, but I could hardly hear him over the sound of my own crunching, my own chewing through cheeks full of uncooked fettuccine.

    “It’s an excursion,” I explained. He didn’t understand. My daughter gave no comment, just kept her face close to the plate.

    After dinner, I stepped outside for some fresh air. My neighbor was standing on his porch. I waved at him.  He waved back. I could see a scaly ring around his mouth and heavy circles depressing his eyes. I called him “Jupiter.” He didn’t laugh.

    I watched him walk inside, and a few moments later, I saw bright TV colors glow through the window.

    I wondered what he was watching. I wondered if I could join him, if I could maybe curl up with him on the couch, drape a blanket over us both, and wrap my arms around his shoulders or his waist and tell him I’m sorry, for the hurt he’s hurting and the want he’s wanting. Maybe he wants dinner—I could offer—and maybe he would say yes and eat appreciatively, even if the noodles were kind of crunchy and needed “some salt.”

    I watched and wondered, but instead of doing anything, I turned back inside to get my daughter ready for bed.

     

    It doesn’t smell so bad, not showering. If you don’t inhale.

    We buy all of the deodorant, cologne, body spray, breath mints. There’s no shampoo. I say to my daughter, “My hair is greasy, but my skin is dry. How does that make sense?”

    She shrugs. “How does anything make sense?”

    I consider shaving my head. I ask what my husband thinks. He is too busy with his face stuck in his cereal, lapping up the last of the milk molecules stuck to the sides of the bowl.

    “Yeah, uh-huh,” he says, finally lifting his face and jingling his keys, ready to leave for work. “You have a great day too,” he says, as if to suggest he stopped listening long ago.

     

    I go to the store with my daughter to buy a buzzer. She glares and says I’m old-fashioned when I smile at people. When I shop, stand in line, swipe the card. She reminds me that common courtesy has gone out of style. I tell her, “I know. I know that there’s no need to be polite, but a habit is hard to kick.”

     

    What is not hard to kick: the empty water gallon, sitting on our kitchen floor, so full of its own emptiness—and our cat, who steals more sips out of the sink than any of us.  

     

    The sink is now full of hair, russet clumps from my scalp. The buzzer quivered, quick. I’m surprised. My head is bald. My daughter looks horrified, but I smile. I’ve wanted a reason to do this for a long time. Not much else in this new world feels right, but this. This feels right.

     

    I’m smiling when the neighbor calls, asking to borrow a few ounces of water for coffee. It’s Friday, and he’s already used up his ration for the week. He’s desperate.

    “Sure,” I tell him. “Come on over.”

    He sits down on the couch while I carefully administer the right ratio of ground coffee to hot water.

    “I like your hair. Or lack thereof,” he says and smiles. He looks at me shyly at first, then curiously, letting his eyes move all over my face and neck and chest and shoulders.

    “Thank you,” I say, and smile back. He keeps looking, and smiling, warmly. I shudder, feeling the heat radiate from his lips, his teeth. I move to sit next to him, and he looks away to add the smallest amount of milk to his coffee. Milk is limited, what with cows drying up and dying, along with the rivers.

    “You’ve lived next door since my daughter was born,” I say, because I just realized.

    He nods.

    I scoot closer. “You’ve stuck around, even when the other neighbors have left.”

    He nods.

    “My husband’s job keeps us here,” I say, watching him watch his coffee. “But we’re pretty thirsty. At least, he’s pretty thirsty, and angry. He wants to go to the coast soon. See how the desalination science is going.” I close my eyes and lean back. “Isn’t it crazy, what they say? That those of us whose bodies are able to handle more salt have a better chance of surviving? And those who can’t…”

    He nods and finally looks at me again, with eyes larger than the cup in his hands. Large like the lake beds, the rivers and reservoirs, all dried up.

    “Do you get lonely over there, all by yourself?” I ask, thinking about the TV lights last night. He doesn’t say anything, but I feel his body shift next to mine. His leg is only inches from my leg, and I can almost feel its pressure.

    “Why are you so polite?” he asks. “Nobody’s generous anymore.”You could’ve kept this to yourself.” The inches are no longer inches, and I actually feel his leg against mine. “What do you want in return?” he asks.

    We look at each other with such intensity, that it almost hurts to look, or to look away, and I have no idea how to say what I want, and we keep looking, and it feels longer than I’ve actually looked at anyone, really, or really been looked at, and soon it’s not just looking but touching, his hand on my hand and up to my arm and elbow and shoulder, approaching my neckline, and I think this is maybe what I’ve been wanting, and I start to move my face closer to his face when I hear a small but sharp sigh coming from a few feet away, coming from my daughter, who has just walked into the room.

    Mom,” she says. She lets her tongue fall out of her mouth. “I feel like a piece of dried fruit.”  

     

    My neighbor leaves out the back door as my husband comes in through the front. My head, my heart, suddenly feel cold.

    Where is your hair?” my husband asks.

    “I . . . I shaved it.”

    “Well I can see that,” he says, with his face twisting like a rag. “But why?”

    “To save water—” I say, but he isn’t listening. He’s pacing the kitchen, and my daughter stands in the doorway, her body stuck between two rooms.

    “I know there’s nothing to drink, but is there anything to eat around here?” he asks angrily, opening and closing cupboards.

    “I asked you,” I start to say.

    “What?” he spits. “You asked what?”

    “Before you left, I tried to ask you what it would look like if I . . . if I shaved my head,” I say and then realize that I’m crying, and I’m amazed at the thick, wet tears that cannot stop coming from someplace I forgot about, some sort of reserve I must have been keeping, despite the fact that I’ve felt so dry this whole time. I’m crying, and I can’t stop, and I don’t understand how my body can hold on to so much water when nothing else in the world seems to be able to. “I’m going to get the last bottle from the garage,” I finally say.

    “Why are you getting it? That’s for next week!” he yells.

    “Why are you yelling?” I yell back. “I just want, I just need a little—” I start to say but I realize I am telling the wrong person, so I don’t finish and then I’m in the backyard with my shirt sleeves mopping up the spill under my eyes.

    I don’t notice my neighbor, not until I have the water bottle in my hands and am almost out the back door to the alley.

    “Hey,” he says.

    “Hey.”

    He looks at me, takes a step forward. “You never answered me,” he says. “I want to know how I can pay you back.”

    I breathe slowly, out, then in. I feel the weight of the water bottle shift in my palms. “Well,” I look at the water, then up at him. “You could make me a cup of coffee.”

    I look back at my house. My husband, my daughter, and then me, without water. I follow my neighbor to his place, wondering if I’ll still feel dry when I get inside.

     

    Rebecca lives an uncomplicated life in Denver, where she works as a junior editor for Tethered by Letters and waits tables at a restaurant, although, waits for what, she doesn’t know. Her work can be found in Maudlin House, the Mountain Goat, and Suspect Press. Look for her at your local bookstore, but don’t follow her on twitter, unless you want to be followed back.
  • Delineate Excerpt

    Delineate Excerpt

    By Lonnie MF Allen

     

     

     

     

    Lonnie MF Allen found his comic-art stride as a high-schooler dabbling in zines and mini-comics, eventually coming up through the ranks in the local comix scene, where he’s long been a regular among Denver’s close-knit cartooning community. An oft-published illustrator, writer and designer in addition to his niche as an award-winning cartoonist, and named one of Westword’s 100 Colorado Creatives, Allen is an organizer for the Denver Drink & Draw meet-up. His work has been published by Dark Horse, Image Comics, and he’s been nominated for an Eisner Award. Find him at lonniemfallen.com.

     

  • Letter From 1998

    Letter From 1998

    By Noah Van Sciver


     

     

    Noah Van Sciver is an Ignatz award-winning cartoonist. He is a regular contributor to MAD Magazine and has created five graphic novels including The Hypo: The Melancholic Young Lincoln, Saint Cole, and the Fante Bukowski: Struggling Writer graphic novella series for Fantagraphics books.

     

     

  • Photo by Taylor Boylston

    Photo by Taylor Boylston

     

     

     

    Taylor Boylston was born and raised in the mountains of Colorado. After a failed attempt of becoming a world renowned competitive fencer, Taylor’s narcissism and loneliness led her to pursue something a little less athletic and a little more self serving: photography. Boylston currently lives in Los Angeles, where she works as a freelance plasma donator.

     

  • Trump Keane Illustration

    Trump Keane Illustration

    By Aleister Gilgrim

     

     

  • 30 Miles of Crazy No. 172

    30 Miles of Crazy No. 172

     

     

    Award-winning cartoonist Karl Christian Krumpholz’s work has appeared in many different publications and even a documentary. He is currently working on two weekly comics: The Denver Bootleg, which examines local musical history for Denver’s Westword, and 30 Miles of Crazy! – the true-ish tales of the various lives in the city. Karl is always looking for a better place to get a drink. His latest comic, An Introduction to Alcohol, compiles a storyline originally featured in 30 Miles of Crazy! and won Best in Show at the 2017 Denver Comic and Arts Expo (DINK).
    Karl can always be found at karlchristiankrumpholz.com
  • The Blizzard

    The Blizzard

    By Elijah

     

    The sound of spit.
    Sandy sucks her tight
    teeth, tastes metal.

    They sell crystal-meth in the trailer
    next door. Before ‘Trapper’ was
    colloquial for drug-dealer, at least
    to the white-people who lived here,
    it was just the neighbor’s name.
    Trapper was Sandy’s uncle.

    A blizzard

    left the trailer-park powerless.
    It was spring break. Bad timing.
    Too soon for an excuse to miss school.
    Snow stood taller than the children.

    Sandy

    was the only living girl who lived there.
    When she moved in, the boys followed
    her. She was the first person they ever
    wanted to fuck.

    Trapper’s

    truck could plow through the snow.
    He drove Clay and his clever father
    to get groceries. Perishables were left
    outside because it was cold enough
    and the trailer-park had no

    power

    for fridges. Ceilings were collapsing.
    Clay’s brother was the oldest, strongest
    boy. He climbed trailers with a shovel,
    making a killing! 20! 30! 40! dollars per-
    roof! Trapper gave him 200! a type of

    money

    these kids had ever held. He was nothing
    like the criminals on TV. The boys thought
    him a nice man, fat, bald, greasy-black hair
    sprouting from the sides of his

    fucking

    head. He was also her step-dad too. Her little sister
    lived there too, but nobody wanted to fuck her.
    He beat the shit out of them like his own daughters.
    The boys were oblivious. Clay’s father called

    the police.

    How embarrassing! Years after the park
    was demolished, Clay worked at the mall.
    He barely recognized Trapper in the
    phone-store—skinny, missing teeth.

     

     

  • Album Review: Pueblo Escobar – Self Titled

    Album Review: Pueblo Escobar – Self Titled

    By Scott LaBarbera

    Pueblo Escobar

    Self Titled

     

    A few weeks back, I had a friend visiting from out of town (who used to live in Denver) and when I asked him what was on his itinerary for his trip, the first thing he replied was “I need to pick up the new Pueblo Escobar album.” The group features former members of Kingdom of Magic, Il Cattivo, Clusterfux and Git Some including frontman Luke Fairchild (who, after a brief hiatus from the Denver music world, is back with a vengeance). Their debut album, released by Sailor Records, does not disappoint, and if you are a fan of any of their previous projects you will hear the familiar influences of all four. A highlight of the album is the third track “The Forgotten Pugilist” which features a powerful bass line, heavy drums, great lead guitar riffs and the droney-yet-melodic power chords that defines the sound of these Denver-metal powerhouse musicians. I don’t consider myself the biggest fan of this genre, but some of my favorite local shows over the years have been by these guys’ previous bands, and judging from the recording of this album, I can’t wait for the privilege of catching Pueblo Escobar live this summer.

  • Album Review: Natalie Tate – Broken Open

    Album Review: Natalie Tate – Broken Open

    By Scott LaBarbera

    Natalie Tate

    Broken Open

     

    I fell in love with Natalie Tate’s angelic voice when I had the accidental privilege of hearing a friend /co-worker put the final touches on the mix of her debut album a few years back. Her latest album, Broken Open, is somewhat of a change from her previous (almost exclusively guitar-based) effort. While I enjoyed and appreciated the raw simplicity of her debut album, you can hear Tate mature as a songwriter on this new release. It’s hard to define what genre her music falls into on this album. Complex dream pop? She tastefully blends electronic beats, keyboards and lush vocals but stops short of the repeated chorus that you’d hear in the typical pop song. To be honest, I couldn’t help but be reminded a little bit of Maggie Rogers. Maybe if Pharrell had come to Denver and listened to one of Natalie Tate’s tracks she would be the one blowing up nationally, because she is certainly just as deserving.