Consent Means What, Now? By Amanda E.K. in Suspect Press Issue 17. 1.) Power Play: He shut me inside the fast food restaurant office. He sat down in his dirty swivel desk chair, his legs spread…
“People Hating You Can Be Energizing,” Says Westword’s Patricia Calhoun by Amanda E.K. for Suspect Press Issue 17: I sat down with Patricia Calhoun, co-founder of Westword and longtime editor, to talk…
Comedy Will Kill You Too by Christie Buchele for Suspect Press Issue 17: Before I get into this, I want to stress how much I love being a stand up comic. I fantasize about crushing when I go to sleep at night.
Review of JonBenet’s Tricycle by Cory Casciato for Suspect Press Issue 17: Denver’s godfather of weird—Andrew Novick—knew that he wanted to make a film as soon he got his hands on JonBenet’s tricycle.
Interview: Talking Economics with Meow Wolf by Josiah Hesse for Suspect Press Issue 16. There is an old cliche that “real” artists aren’t interested in making money…
That One Night I Decided to be a Prostitute Because of JT LeRoy by Josiah Hesse for Suspect Press Issue 16. In the church where I grew up, being a prostitute was the ultimate sin.
Album Review: Ancient Elk – Self Titled for Suspect Press Issue 16. After being teased with a string of hypnotic live shows and a killer EP, the wait is finally over…
Cold Crushed: Why We Can’t Lose Denver’s Premier Hip Hop Club by Ru Johnson for Suspect Press Issue 13. Just before Tyrone “TJ” Adair was gunned down just outside the patio at Cold Crush…
At Home With A Ghost: Watching Harry Nilsson’s Voice Die by Sarah Kernochan for Suspect Press Issue 13. 1974 was the year RCA released House of Pain, my first album as a singer-songwriter.
Lady Lobster by Josiah Hesse for Suspect Press Issue 12. I didn’t care about the painting, but I sure pretended to.
Still blinded after biking through a March blizzard, my eyes strained…
