Tag: Denver

  • If you are going to dance in the community ballroom

    If you are going to dance in the community ballroom

    By Clara Elizabeth
    If you are going to dance in the community ballroom
    To a different tune than the others
    Do so with eyes wide


    Do not be blinded
    While you swing with your known neuroses
    Do not have only eyes locked with the delusion of your own
    While you waltz


    Do not listen solely for your cues and beats
    While the orchestra brawls beneath
    You must be able to hear the others’ whimpers
    While they stumble and halt
    Missing choruses entirely


    Their dancing is not as gentle as yours
    Yet you are still just but half way
    Between their dramatic drunken fumbling
    And your instructor’s spritely prance


    You should not dance so openly in the community ballroom
    With meditative abandon
    In a clumsy, half-evolved step
    Still entrained to old grooves


    Unless you feel the function of their drunken funking so intimately
    You can twist and swing their jive into yours


    Lest others
    In inebriation
    Read your nimble ecstasy
    In their signature of time


    And believe your rhythmic ricocheting
    To be a tribute to the junkie jump they are stoned on


    It is for a similar reason
    That it is not good to chant mantra in the washroom
    The deafened in the stalls believe you make gossip
    They become less likely to taste that they are trapped inside their own mouths


    Supplicate to your instructor
    Beg to feel their footsteps in the coarse carpet of your mind
    Beg to feel their profoundly grooving rhythm by the pumping of your blood
    Beg to feel their kind hands pull your waist back to balance after every nauseating,
    off-beat spin


    Since you seem to be held in the frozen claw of perpetual movement
    There may be a chance
    The beloved dancing yogi
    Will teach out of sweet mercy for all beings


    The ballroom mirror winks and smiles with a woeful jig
    There is a message for you in your own shimmy
    If you are taught to sashay to the beat of your own flighty, shifting breath
    In a ballroom blasting booze-bombed loops
    Aural Ouroboros anthems
    In a key of asynchronously experienced thrills


    You must dance with eyes so open and empty
    The drunks see through the hollow handle of the soul
    To the melodious and enchanting discotheque
    Housed in the only warehouse:


    The awakened mind of uncontrived open space

  • Lover, for the sake of being clear with you [In conversation with Alice Wirth Gray’s “On a Nineteenth Century Color Lithograph of Red Riding Hood by the Artist J.H.,” from What The Poor Eat (1993)]

    Lover, for the sake of being clear with you [In conversation with Alice Wirth Gray’s “On a Nineteenth Century Color Lithograph of Red Riding Hood by the Artist J.H.,” from What The Poor Eat (1993)]

    By Clara Elizabeth
    If we are here constructing narratives
    I’m a much better story-teller than you are.
    My grandmother was a poet, taught by Langston Hughes.
    It was more like this:
    I was Little Red Riding-hood
    And you the hungry wolf
    Except I’m Little Red whose grandmother hung a lithograph of a wolf over the head of
    her bed when she was a girl.
    So I know all about you and your kind.
    See, I knew you would be about
    Just by the smell of you:
    Sweet, cloying desperation
    Starved lust for any skimpy morsel of Purity
    Your thrashing greed to be the Animal on top.
    I didn’t have to see all the way into those dark, beckoning woods to know that you were
    lurking there.
    I’m no longer that type of fool.
    I lead you all the way to sweet blanketed granny.
    Waited for you to mount the bed
    And begin moaning with pleasure —
    Devouring your sleeping prey
    To press the knives of my fingertips into the fragrant blushing skin of your tender,
    muscled back.
    (If you want to finish someone
    By playing into powerlessness, All the power lies in your timing.)
    Lover, for the sake of being clear with you,
    I will ask you for your response:
    Who really is Little Red,
    And,
    Who is The Teeth?
    For you are now little and red against my teeth
    In my lipstick
    Smeared
    And on granny’s now splatter-paint linen sheets
    Lush,
    Before me
    In a funeral bed of your-own-heart soaked quilt.
    What you may not know, lover:
    The knives on my fingers
    (The ones you licked honey off of when I secretly shared my basket of goodies with
    you)
    Cut both ways.
    See, sweet granny’s long been dead
    (As, now are you)
    And I hardly have the karmic merit in the bank to pay my ferocious bail.
    Yet, I hope your getaway in Hell isn’t too much of a drag;
    For prison won’t bother me.
    Sweet granny was staunch to teach me when I was a girl
    That anywhere you go
    Is just
    A place to go
    From the place you are.

  • Orpheus,

    Orpheus,

    By Clara Elizabeth
    Orpheus,
    Why do you move to smoke your cigarette away from me?
    I breathe your air regardless–
    Every time you touch me it hurts.
    The way you move death between your teeth,
    I, under your lips and breath and tongue.
    If I, your fantasy girl, color the walls of your world, then love, what is it to be me other
    than an empty, painted thought?
    I will not be extinguished, I swear I exist;
    I am your perfect girl,
    Sweet fool, that is what I want.
    Perfect, is what I want!
    It is the I, I want.
    It is the I in you that I want.
    There,
    Your fantasy is mine!
    I don’t want you, I want me.
    You are me.
    You are mine.
    I am selfish, I am alive.
    Now you have become the empty thought.
    I will fight you, my Orphic opponent
    Which one of us will win out?
    We each claw — not be the figment of the other’s mind.
    Lest I remind you: only one of us, sweet dear, can live.
    But if I were to die, I would do so happily
    Your twisted notion of Platonic form.
    You did tell me, I’d look beautiful as a dead girl.
    And I smiled when I replied that I would.

  • A Scale of Wisdom

    A Scale of Wisdom

    By Clara Elizabeth
    My Beloved Keeper,
    You work early mornings
    Return late at night
    You are gone for days at a time.
    I have created an entire world for myself, in this empty house of Yours.
    I have gilded the plaster walls with the ornament and leaf of my thinking mind.
    I’ve strung up thoughts like streamers with which I bat and play.
    Every time You return to feed me, Holy Light, I yelp and yowl in delighted angst
    And climb Your legs in order to be held.
    But You arrive to find I have torn up the embroidered chairs in Your absence
    And in my manic boredom.
    You are peeved,
    For You seem like God,
    And all I do is Want From You:
    Your kitchen is filled with glittering fish,
    Their Gem eyes deep enough to take Refuge in.
    I whimper and slither dangerously
    around Your feet.
    If You are generous You drop a scrap,
    When You are Loving You drop a whole cut.
    Yet, any time I catch so much as a scale from You,
    I am so ecstatic to be invited to the feast,
    That I dash wildly like the beast I am Kill in jaws,
    To gnaw and slobber;
    Play with Your gift,
    Tinker,
    Mull it over,
    Display and admire it,
    In my graveyard of rotting trophies.
    So in my absence You incorrectly believe I am at peace.
    When the bones are clean,
    Only the proof is left.
    You have closed the Door
    To my beam and dry-wall Cage.
    My God, You are Gone,
    I just wanted You,
    But only my Toys remain.

  • Civic Center Park Tour Denver

    Civic Center Park Tour Denver

    by Cori Redford


    Cori Redford was born several years ago, and still has not lost her faith in humanity. She still thinks dick jokes are funny, and dresses like a toddler. You can probably find stuff she’s done all over the internet with a quick search, and maybe you’ll want to buy one of her t-shirts or zines. She hangs out with a bunch of groovy art kids, who battle with drawings instead of guns or dance like regular gangs. She is cool.

  • Human Resources

    Human Resources

    By Eric Raanan Fischman

    Amanda is excited for her demotion. “Things are looking down” she says, smiling. I order more lollipops, and the robot responds. Everything is wearing the Universal Symbol except the employees. We have our own labels and testing: 60% water, 28% plant matter, 12% allowable contaminants. I destroy 4000mg of medicated gummies and mix them up in soil. Customers watch me like an accident.

    “Is this what you want?!” I shout to the 49 cameras above me.

    “Are you Recreational or Medical?” a patient asks. “We’re Metaphorical,” I say. Longhair whistles like the golden flute, Zach is slowly turning into a Key. I take my place on the bridge and reboot my station.

    This whole place runs on wire magic, making oil appear out of thin air, delivering brownies by telegram. Someone returns an empty box that smells suspiciously of grape candies, and we replace it without a thought.

    It’s Monday, which means it’s my Friday. The cameras still think it’s an hour ago, but they won’t show me right now. It’s not our policy to gift each other hugs, but we do so anyway. Even our shoes have SOPs to follow. Lillian’s got one foot on the front desk, one in the inventory. We are all changing faster than the regulations. Like how a few weeks ago Mechele was one person, and in 8 months she’ll be two.

    It’s like, wherever we are we become ourselves. If there’s a soul in me let it break. I’ve been lucky enough, haven’t I? Charity puts our future product into fictional rooms. We have a meeting on Thursday, but I probably won’t be there. It’s Passover and I forgot to put my blood on the doorpost.

    Death calls at 3AM. It’s the bad news I’ve been waiting for.


    Eric Raanan Fischman is an escaped New Yorker and runaway post-orthodox Jew. He teaches at Beyond Academia Free Skool and has had work in South Broadway Ghost Society, Bombay Gin, the Boulder Weekly, and the Punch Drunk Press Anthology. He is the author of Mordy Gets Enlightened, published through The Little Door at Lunamopolis in 2017.



  • Denver Secrets

    Denver Secrets

    as told to Cori Redford


    Photo by Carnefix Photography

    Cori Redford was born several years ago, and still has not lost her faith in humanity. She still thinks dick jokes are funny, and dresses like a toddler. You can probably find stuff she’s done all over the internet with a quick search, and maybe you’ll want to buy one of her t-shirts or zines. She hangs out with a bunch of groovy art kids, who battle with drawings instead of guns or dance like regular gangs. She is cool.


  • a poem in which the word “fingernails” is replaced by “gender”

    a poem in which the word “fingernails” is replaced by “gender”

    By Nico Wilkinson

    it’s the day before i start testosterone
    and i am buying press-on gender online
    rose gold
    blue crystal
    mirror chrome

    genders that come off easy
    without pulling layers of me away.
    that soften and fall away
    under warm water.
    that you can store away in a box
    for another day. 

    x

    i used to get my gender done
    every month
    but after a lifetime of nervously picking, pulling
    and biting
    my gender grows in too weak
    to stay long. would keep breaking under
    the strain of hard work. dirty gender 
    always edged with soil. the women would scrutinize it
    under the light, would shake their heads and tsk,
    would say i should take better care
    of my gender as they filed, buffed,
    painted a color i would be tired of
    the next day. 

    x

    finally, i’ve found a gender
    i can take off in the half-light
    sitting on the edge of the bed
    smiling at my lover
    a flirtatious suggestion of what 
    these hands can do 


    one hand with gender to raise red lines down her spine. 
    the other with gender to beckon smooth an ebbing tide of breath and muscle 
    without tearing at her soft.

    x

    gender i can put on for a night out to match my dress.
    gender i can remove when i dig in the dirt.
    gender that can pick up a sewing needle.
    gender that can scratch a cat behind the ears. 

    x

    i once knew someone
    who collected slivers of their gender
    in a jar

    the world is littered with the remains
    of the gender that i have pulled apart
    with my teeth. 

    x

    with gender this fragile
    constantly breaking, leaving
    skin raw and red and aching
    i thought about what it would have been like
    to just not have gender at all

    but this world is so full of hard edges
    and this body is so soft
    i can only imagine
    without it, it would eventually hurt
    too much
    to touch anything
    or anyone

    x

    i resent the idea
    of gender that has so often failed me
    persisting when i am dead, growing larger
    while the rest of me
    shrinks away into nothing. 

    perhaps cremation
    could burn my gender away.
    I could be as soft as dirt.
    the hard edges of my gender left
    in the fire.
    anything heavy as gender left behind.

    what would be left of me
    is only what the wind could carry.


    Photo by Kaitlyn Marie Mercy

    Nico Wilkinson is a poet, printmaker, farmer, and organizer based in Colorado Springs. They are the 2017 champion of the Capturing Fire International Queer Poetry Slam and the co-founder of Prickly Pear Printing and the founder of The Quaill Club, a living community for queer artists working toward cooperative sustainability.


  • Collected Selfies From the Puddles

    Collected Selfies From the Puddles

    By Adrian H Molina

    I was at the edge of fall, asking again if we could withstand another icicle winter in the north,
    sitting at the foot of an empty clawfoot tub
    watching the seabirds vanish, 
    a thirty-year time-lapse,
    laughing off your ridicule 
    over my use of the bath. 

    I was swimming in a giant glowing pool
    inside our turquoise studio home,
    shallow aqua blue water
    making up 90% of floor area,
    watching curious tourists come and go
    watching my movements in the water, 
    my teleportations outside 
    picking thorn-stemmed roses by the windows,
    then back again inside playfully paddling like clockwork.
    You returned one day, preoccupied.
    I watched, stunned as you hit a switch 
    permanently tiling the floor where I had swam everyday. 

    I was in the middle of an ocean unknown, 
    overcast and hazy, floating with all the people
    looking at my compass wristwatch 
    watching a small continent drifting north,
    sending a forty foot tidal wave our way.
    I began calculating survival, 
    eyeing a distant rocky shore, 
    searching for you to escape with me.
    I emerged bloody with sea thorns stuck under my feet. 

    I was at the edge of paradise again
    talking to a marvelous blonde ghost about the seabeds, 
    the sepia plains and stone-filled mountains we left,
    overlooking the veracity of white waves
    crashing into mars black rocks,
    spiraling thoughts
    watching aqua swirls curl into shapes unfolding,
    feeling like you didn’t want to take the picture
    we were offered. 

     I woke up one day
    mixing new water colors,
    feeling the burnt orange summer dying 
    another slow beautiful demise, a waning sun 
    turning leaves into fire. 
    I started dreaming new sounds.
    I started cooking new foods.
    I started praising new gods. 
    taking new pictures of the raindrops,
    slowly collecting another ocean.


    Adrian H Molina is a wordsmith, time traveler, and shapeshifter, first cousin to jaguars and quetzals native to the “Americas.” He can be spotted in the portals of your imagination. He was recently featured at the Crestone Poetry Festival. He eats money in exchange for creative ideas. Everything is made up, and he knows his worth. Molina is creating new worlds. You can follow his writings and musings within the matrix on IG @MolinaWrites.


  • Dualistic Tendencies

    Dualistic Tendencies

    By Adrian H Molina

    Bring me chocolate and herb seeds

    and I will plant sunflowers in-between your aching poles

    where divinity transforms into monstrosity and

    back again.

    Bring me royal stargazer lilies to dissolve,

    mandarin marigolds to gnaw upon,

    ruby red roses to hang upside down—

    pretty pictures to cut up into art.

    Bring me a sad story and a black heart

    that I can alchemize into laughter, making

    cascading chains of illusive memory pains,

    silently molding fears into sand castles.

    Bring me your most guarded, treasured desires.

    I will walk your dehydrated imagination to the brinks of reality

    where the river banks are flooded daily

    with wishes from the living and the dead.

    Bring me a dream to eat,

    a wall to bend, a wound to lick,

    a scar to dissolve, a levee to breech,

    and we can lie safely together in the shadows.

    I am not a piece of your puzzle. I am

    not the fragmented collection of

    a story you are constructing. I am

    a landscape moment you can escape into.

    I cannot give you everything, you say, but I can

    offer enough of the moon to satiate you

    until it becomes blue again. Can you truly

    learn to dissolve your face?

    When you look at me, do you

    see circles of forever, or merely space

    to play with time? Will you come to claim

    your gaping hunger at its root?


    Adrian H Molina is a wordsmith, time traveler, and shapeshifter, first cousin to jaguars and quetzals native to the “Americas.” He can be spotted in the portals of your imagination. He was recently featured at the Crestone Poetry Festival. He eats money in exchange for creative ideas. Everything is made up, and he knows his worth. Molina is creating new worlds. You can follow his writings and musings within the matrix on IG @MolinaWrites.

  • It Goes By So Fast

    It Goes By So Fast

    By Eliza Beth Whittington

    It happens. You think you’re old enough. You’re in love. Or not. You planned it. Or not. Caution is thrown to the wind before the soft baby foot of reality kicks in, the blue double lines on a stick show you the parallel lives you’ll lead if you do or do not choose to keep it. But the engagement is set, the cervix is thick, a quiet knowing penetrates your bones—you’re about to be changed by someone you don’t yet know. You tell your lover you’ve made your choice. You quit your vices, you get a place together. You play house and giggle over stupid things, like cooking barefoot in the kitchen. You are told what to eat and what to avoid, you heed the advice, or not, and hope for the best. No one thinks to tell you that being occupied by a child can be a traumatic experience, or that your now-sober mind will perceive the world around you with new clarity.

    When you walk, proud-bellied forward into the wild world, you will get unsolicited advice and un-consensual belly-pats. You’re asked probing questions about the gender of your unborn child, on the assumption there are only two genders, determined by genitalia. You are repeatedly given that powerful ominous warning: Your life will never be the same. On the day of birth, no one can explain the skull-shocking, soul-shaking realization: I have only ever been child. Now I will only ever be parent. The magnitude of the realization deepens as you realize how triggering it is to have your sore body on demand for someone else’s needs. That you signed up for this.

    Elders in grocery aisles will tell you, “Enjoy it! It goes by so fast!” You smile, sleep-deprived and weepy, and carry on, your baby snoring on your chest. You sneak brief glimpses of their tiny, furrowed sleeping brow, acutely aware that it will soon be replaced by the glowering glare of a teenager. The elders don’t mention the slow-motion. How you will sit breathless, nearly motionless for an hour, your arm asleep under the weight of their perfectly-formed soft skull, so full of things they have yet to learn. The well-meaning elders failed to mention how you will sit as still as a rock in water as time slowly wears away at you and places the sediments of your understanding onto your child as you sit, open shirted, nipple exposed, dripping with milk, and cold with exposure as you muster some inner Buddha calm and just stare at their fluttering eyelids and sticky cheeks, listening to their tiny rapid breaths, reminding yourself to be still, the dishes can wait, it all goes so fast.

    Two years of dishes later, you are chasing after an adorable uncivilized being who doesn’t quite speak the language and whose default volume is screaming. You were told it would go by so fast, no one warned you a day home with a toddler was, in actuality, a week, or how loud you’d curse when a toddler chomps down with new teeth. You will have to learn the hard way, through work, or separation, that a day without your child is a seemingly endless, sun-less season. No one tells you that having children is by no means an antidepressant. But to be fair, it is fairly effective suicide prevention.

    No one explains that somewhere around age five, the kind eyes and patient smiles of strangers disappear and are replaced by indifference, impatient glances, and even sneers. Meanwhile, you are torn between disciplining your child to be more socially palatable, and climbing with them under the bookstore table to drink hot chocolate and make farting noises and read comic books.

    If you do make the choice to bring another life into this world, there are no limits to the lessons you will learn, and there are so many people ready to dispense their wisdom and bad advice on the topic of parenting. As you seek counsel…I say take heed of the tired clichés, for they’re there for a reason…Your child will be your truest teacher and mirror, so study up, and sleep when you can, but not too often…because, it does go by so fast.



    Eliza is a poet, parent, painter, carpenter, singer/songwriter, queerdo and preacher to choirs. They like to hike, garden, and scream with the punk band Black Market Translation. Their new book, “Treat Me Like You Treat the Earth,” will be released by Suspect Press on July 19th at Mutiny Information Cafe. Come say hi. You can find more of their work and contact them at ElizatheBeth.com

  • Whole Ball of Whoops

    Whole Ball of Whoops

    By Charly Fasano

    Sorry I shit your pants.

    You look pale

    let me buy you a tan.

    I want to pretend none of this happened.

    I have two bus stops to teach myself string theory

    with a grocery list and a golf pencil.

    How to fold this moment as

    mistakes fold in on me.

    How to punish the person

    who built the jail.

    The people I thought

    deserved an apology

    don’t even remember me.

    But still

    with as much eye contact

    I can muster

    Sorry I shit your pants

    going to moon walk out

    and forget all this happened.

    The what’s what

    about what not

    the whole ball of whoops.


    Charly Fasano is a poet, performer, filmmaker and block printer, as well as a Colorado Creative. Fasano has read his poems and shared the stage with bands like Lucero, Drag the River, Land Lines, and The Queers. He is the founder of Fast Geek Press, Pretend You Can Reab audio zine, and As Well As Magazine. Fasano’s poems have appeared in Yellow Rake, Lubricated Magazine, and others. He has a book of poems called Next Analog Broadcast, and a multimedia book & 7 inch called RETROSPECT/ED featuring the music of Lucero.