Category: Magazine

  • Human Resources

    Human Resources

    By Eric Raanan Fischman

    Amanda is excited for her demotion. “Things are looking down” she says, smiling. I order more lollipops, and the robot responds. Everything is wearing the Universal Symbol except the employees. We have our own labels and testing: 60% water, 28% plant matter, 12% allowable contaminants. I destroy 4000mg of medicated gummies and mix them up in soil. Customers watch me like an accident.

    “Is this what you want?!” I shout to the 49 cameras above me.

    “Are you Recreational or Medical?” a patient asks. “We’re Metaphorical,” I say. Longhair whistles like the golden flute, Zach is slowly turning into a Key. I take my place on the bridge and reboot my station.

    This whole place runs on wire magic, making oil appear out of thin air, delivering brownies by telegram. Someone returns an empty box that smells suspiciously of grape candies, and we replace it without a thought.

    It’s Monday, which means it’s my Friday. The cameras still think it’s an hour ago, but they won’t show me right now. It’s not our policy to gift each other hugs, but we do so anyway. Even our shoes have SOPs to follow. Lillian’s got one foot on the front desk, one in the inventory. We are all changing faster than the regulations. Like how a few weeks ago Mechele was one person, and in 8 months she’ll be two.

    It’s like, wherever we are we become ourselves. If there’s a soul in me let it break. I’ve been lucky enough, haven’t I? Charity puts our future product into fictional rooms. We have a meeting on Thursday, but I probably won’t be there. It’s Passover and I forgot to put my blood on the doorpost.

    Death calls at 3AM. It’s the bad news I’ve been waiting for.


    Eric Raanan Fischman is an escaped New Yorker and runaway post-orthodox Jew. He teaches at Beyond Academia Free Skool and has had work in South Broadway Ghost Society, Bombay Gin, the Boulder Weekly, and the Punch Drunk Press Anthology. He is the author of Mordy Gets Enlightened, published through The Little Door at Lunamopolis in 2017.



  • Harmony Island

    Harmony Island

    by Elliott Wyatt


    Elliott Wyatt is an illustrator based in Denver and St. Louis. Elliott’s artwork consists of colorful and uncanny organisms dredged from the subconscious, the natural, and the forgotten corners of popular culture. For commissions including band artwork and contributions to personal projects, find them on IG @Dream_centipede.


  • Excerpt from “Tomorrow Forever”

    Excerpt from “Tomorrow Forever”

    by Josh Bayer


    Josh Bayer began his underground comics practice in 1988, appearing in zines and in small shows. since then, his work has appeared in print, video, posters, and exhibitions all over the world. More of his work can be found at joshbayer.com as well as other artists from Tinto Press.


  • Denver Secrets

    Denver Secrets

    as told to Cori Redford


    Photo by Carnefix Photography

    Cori Redford was born several years ago, and still has not lost her faith in humanity. She still thinks dick jokes are funny, and dresses like a toddler. You can probably find stuff she’s done all over the internet with a quick search, and maybe you’ll want to buy one of her t-shirts or zines. She hangs out with a bunch of groovy art kids, who battle with drawings instead of guns or dance like regular gangs. She is cool.


  • An Autopsy of Jason Voorhees’ Injuries

    An Autopsy of Jason Voorhees’ Injuries

    By Jake Fairly and Josiah Hesse


    Jake Fairly oozed forth upon the Denver comics scene from the catacombs of the Rocky Mountain College of Art and Design. Be it comics about Neil Armstrong’s corpse, or generally being metal AF, Jake is a guy with considerably hefty night moves. He’s had work published in periodicals such as Westword and the Denver Public Library’s comics newspaper, and has been labeled a “street artist” by Westword magazine.


    Author of psychological horror novel Carnality: Dancing on Red Lake, and regular contributor to VICE and The Guardian, Hesse aims to blend journalism and the arts within the pages of Suspect Press, making it both a reflection of our time and an innovative force of creativity. He’s recently released the second book in his series, Carnality: Sebastian Phoenix and the Dark Star, available at several Denver booksellers and on the Suspect Press website. Contact: josiah@suspectpress.com, josiahhesse.com & @JosiahMHesse



  • Alice

    Alice

    By Laura Ellstrom


    After being dubbed “weird” by childhood classmates, Laura Ellstrom has embraced the label and enjoys creating art that is “just shy of normal.” She is endlessly supported by her husband; her four cats mostly tolerate her. Find more of her work on IG @lauraellstrom.


  • 6th Level of Hell

    6th Level of Hell

    By Sarah Gilstrap


    Sarah (also known as Catface) is a Denver-based artist specializing in ink. Her work is dark, feminine & slightly surreal. Enamored by the otherworldly and the mystical, her work depicts the beauty & magic of everyday life. Find out more about her and her work at Catface.ink


  • Black Paint

    Black Paint

    By Loria Carnefix


    Loria Carnefix makes art that pushes back, art that acts as a megaphone—a visual voice—a tool to help empower people with confidence and worthiness and validation in the only way she knows how: photography. Her featured photo is from a shoot called “Black Paint,” which was part of a collaboration with the band Zealot. You can find more of her work at www.carnefixphotography.com and on IG @carnefixphotography.


  • a poem in which the word “fingernails” is replaced by “gender”

    a poem in which the word “fingernails” is replaced by “gender”

    By Nico Wilkinson

    it’s the day before i start testosterone
    and i am buying press-on gender online
    rose gold
    blue crystal
    mirror chrome

    genders that come off easy
    without pulling layers of me away.
    that soften and fall away
    under warm water.
    that you can store away in a box
    for another day. 

    x

    i used to get my gender done
    every month
    but after a lifetime of nervously picking, pulling
    and biting
    my gender grows in too weak
    to stay long. would keep breaking under
    the strain of hard work. dirty gender 
    always edged with soil. the women would scrutinize it
    under the light, would shake their heads and tsk,
    would say i should take better care
    of my gender as they filed, buffed,
    painted a color i would be tired of
    the next day. 

    x

    finally, i’ve found a gender
    i can take off in the half-light
    sitting on the edge of the bed
    smiling at my lover
    a flirtatious suggestion of what 
    these hands can do 


    one hand with gender to raise red lines down her spine. 
    the other with gender to beckon smooth an ebbing tide of breath and muscle 
    without tearing at her soft.

    x

    gender i can put on for a night out to match my dress.
    gender i can remove when i dig in the dirt.
    gender that can pick up a sewing needle.
    gender that can scratch a cat behind the ears. 

    x

    i once knew someone
    who collected slivers of their gender
    in a jar

    the world is littered with the remains
    of the gender that i have pulled apart
    with my teeth. 

    x

    with gender this fragile
    constantly breaking, leaving
    skin raw and red and aching
    i thought about what it would have been like
    to just not have gender at all

    but this world is so full of hard edges
    and this body is so soft
    i can only imagine
    without it, it would eventually hurt
    too much
    to touch anything
    or anyone

    x

    i resent the idea
    of gender that has so often failed me
    persisting when i am dead, growing larger
    while the rest of me
    shrinks away into nothing. 

    perhaps cremation
    could burn my gender away.
    I could be as soft as dirt.
    the hard edges of my gender left
    in the fire.
    anything heavy as gender left behind.

    what would be left of me
    is only what the wind could carry.


    Photo by Kaitlyn Marie Mercy

    Nico Wilkinson is a poet, printmaker, farmer, and organizer based in Colorado Springs. They are the 2017 champion of the Capturing Fire International Queer Poetry Slam and the co-founder of Prickly Pear Printing and the founder of The Quaill Club, a living community for queer artists working toward cooperative sustainability.


  • Collected Selfies From the Puddles

    Collected Selfies From the Puddles

    By Adrian H Molina

    I was at the edge of fall, asking again if we could withstand another icicle winter in the north,
    sitting at the foot of an empty clawfoot tub
    watching the seabirds vanish, 
    a thirty-year time-lapse,
    laughing off your ridicule 
    over my use of the bath. 

    I was swimming in a giant glowing pool
    inside our turquoise studio home,
    shallow aqua blue water
    making up 90% of floor area,
    watching curious tourists come and go
    watching my movements in the water, 
    my teleportations outside 
    picking thorn-stemmed roses by the windows,
    then back again inside playfully paddling like clockwork.
    You returned one day, preoccupied.
    I watched, stunned as you hit a switch 
    permanently tiling the floor where I had swam everyday. 

    I was in the middle of an ocean unknown, 
    overcast and hazy, floating with all the people
    looking at my compass wristwatch 
    watching a small continent drifting north,
    sending a forty foot tidal wave our way.
    I began calculating survival, 
    eyeing a distant rocky shore, 
    searching for you to escape with me.
    I emerged bloody with sea thorns stuck under my feet. 

    I was at the edge of paradise again
    talking to a marvelous blonde ghost about the seabeds, 
    the sepia plains and stone-filled mountains we left,
    overlooking the veracity of white waves
    crashing into mars black rocks,
    spiraling thoughts
    watching aqua swirls curl into shapes unfolding,
    feeling like you didn’t want to take the picture
    we were offered. 

     I woke up one day
    mixing new water colors,
    feeling the burnt orange summer dying 
    another slow beautiful demise, a waning sun 
    turning leaves into fire. 
    I started dreaming new sounds.
    I started cooking new foods.
    I started praising new gods. 
    taking new pictures of the raindrops,
    slowly collecting another ocean.


    Adrian H Molina is a wordsmith, time traveler, and shapeshifter, first cousin to jaguars and quetzals native to the “Americas.” He can be spotted in the portals of your imagination. He was recently featured at the Crestone Poetry Festival. He eats money in exchange for creative ideas. Everything is made up, and he knows his worth. Molina is creating new worlds. You can follow his writings and musings within the matrix on IG @MolinaWrites.


  • La Femme Damnée  (1859)

    La Femme Damnée (1859)

    By Nicolas Francois Octave Tassaert


  • Fall/2019 Letters To The Editor

    Fall/2019 Letters To The Editor

    Previous Issue: #23


    I am terrified of puppies, can you help me? Whenever I see their fluffy tails wagging, those maniacal eyes wide as they strain against the leash, desperate to sink their sharp-as-glass teeth into my shoelaces, I nearly faint with terror. Ever since that afternoon when I was a boy, when my brother covered me in peanut butter and unleashed three litters of eight week old St Bernards on me, trampling my young body with their furry frames, eighteen tiny tongues feverishly licking me up and down, I’ve been unable to see puppies as anything other than bloodthirsty monsters, not unlike the Alien facehugger or rabid piranhas. I actually like older dogs. Cats, too. And I adore squirrels. Though I’ve recently started dating someone with a new puppy and want to be free of this affliction. Suspect Press, can you help me?

    Sincerely,
    Pilgrim Billy

    .One Carnality
    of release the to forward Looking .welcomed is predicament this with dealing on advice Any .imagined originally I as linear as isn’t this of all maybe that ,moving forward feel things some that noticed have I .everything much pretty dreading I’m but ,say to have I ,though 2016 to forward looking am I .terrifying is It .reverse in time through moving now am I that afraid am I and reality of perception my warped completely has it that ,fact in impactful So .me on impactful very was Press Suspect of issue last The

    ,Editors Dear

    Dear Editors,

    This is the ghost of David Foster Wallace*, and I wanted to talk to you a bit about the experience of being a ghost*. Being a ghost has reminded me that our experiences are less determined by our search for objectivity*, and more so by our personal, active relationship with the world.

    *Author of Infinite Jest**

    *The idea of writing about objectivity is kind of an absurd premise in and of itself, as to make a concrete statement in written form, possibly never to be edited, is in itself to deny the ideas of objectivity.

    *By ghost*** I do not so much mean a spooky entity in a white sheet, as much as the lingering presence of what once was.

    **If you’ve not heard of Infinite Jest, just ask any white dude at a coffee shop about it. They’d love to tell you about how good the first third of it is, and how they are planning to finish reading it after they get through Chuck Klosterman.

    ***To be a ghost feels as if to be an extra in a movie that no one ever sees. A box of cereal hidden in the back of the freezer section**** of the grocery store, where we all fail to truly connect with the people around us.

    ****Freezers and refrigeration were built and sold by General Electric, as a freezer runs 24/7 and uses a substantial amount of electricity to run, thus creating a new industry for profit for GE.

    I’d love to hear your opinions on the subject.

    Thank you*,
    David Foster Wallace

    *By you, I mean the objective you, though that may be tainted by time, by experience, or by any number of unseen factors that I am not at liberty to have influence over, especially because I am in fact, a ghost now.

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    Dear Editors,

    Excellent choice bringing Brice Maiurro on as your Poetry Editor. He is an incredible and humble man and pretty much the coolest person I have ever met. He is just wonderful. I would sincerely consider submitting odes on how much I love Brice Maiurro to your magazine. He is a real gem. Did I say he’s the coolest person? He is the coolest person. Super good choice. A plus.

    Sincerely,
    Not Brice Maiurro

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    Dear Editors,

    I was excited to see your story last issue on Rhinoceropolis because finally! The coverage that rhinoceros deserve. They are such beautiful creatures that move with such grace and poise, elegantly splashing around in mud pits and grunting majestically like the dainty, delicate brutes they are. So you can imagine my dismay when I tore open the magazine only to discover that the story in fact had nothing to do with the kings of the floodplains but rather dove into a story of a kitschy, crust-punk warehouse that I assume is filled with skaters ditching school to graffiti some boards. Do what you do best, and stick to animal coverage.

    Sincerely,
    Ryan O. Ceras

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