Category: Fiction

  • Memo Regarding the Muses

    Memo Regarding the Muses

    By Nicholai Roscoe

     

    TO: All Employees
    FROM: Management
    RE: Our Acquisition of The Muses

    Thank you all for your assistance in making our recent transition as smooth as possible. We’ve had a hectic year, but our decision to pivot into the acquisition of unorthodox assets has been incredibly fruitful.

    We’d like to give a special thanks to Linda, who’s had a great eye this quarter. Our competitors had assumed a cursed monkey’s paw would be worthless, but Linda was able to turn it over for a tidy profit to a movie studio (who are elated to have it as a plot device). As a reminder, when reviewing potential acquisitions, be sure to do adequate research. As Bradley learned, the difference between a genie and a djinn can be what separates a bountiful purchase from an expensive lawsuit.

    Please keep the chimera leashed until we are able to find it a new mascot position, it’s been drinking all of the LaCroix out of the breakroom fridge.

    As many of you know, the Greek economy is facing a large debt and has been forced into making creative solutions with their resources. Our high bid to the pantheon of gods awarded our company the contracts of the Muses—goddesses of inspiration. Originally it was prudent to have nine Muses, one for each art form at the time. However, just as the Olympics continually updates its sporting events, so too must we modernize our selection of arts with Muses. Tug of war doesn’t have the pull it once did, and neither does epic poetry.

    Starting with the most unpleasant business, some positions will be terminated due to outdated and unprofitable duties, while others will be pivoting in a new direction.

    • Calliope, Erato, and Polyhymnia: Epic poetry, love poetry, and hymns just aren’t producing the blockbuster smash-hits they once did. We wish you luck in your pursuits.
    • Clio, Muse of history, and Urania, Muse of astronomy: Astronomy does not require much creativity and, as the fake news epidemic has shown, history suffers from it. Thank you for your devoted service over the last millenia.
    • Melpomene: Unfortunately your role exposes our company to litigation, so we cannot afford to continue employing a Muse of tragedy. We are confident you will continue to excel on any path you take.
    • Terpsichore, Muse of dance: You were a dutiful worker but we will be going in a different direction to be inclusive of the caucasian demographic. We appreciate your efforts, please pick up your knee-highs from human resources.
    • Euterpe, the musical Muse: We commend you in your willingness to work with artists of all ethnicities, but It seems your talents have been overwhelmingly used to inspire the beautiful. Please assist more ugly people in their pursuit of singing.
    • Our thoughts are with Thalia, Muse of comedy, as she takes a leave of absence to recover from some rather ugly and private matters. The position will remain vacant until her return—there is already an overabundance of Netflix stand-up specials.

    Moving forward, we will be introducing several new Muse appointments, to be posted publicly prior to allowing internal applications. Although the nine daughters of Mnemosyne and Zeus were originally awarded the jobs, nepotism will not be tolerated in the coming round of hiring (looking at you, Bradley). Additionally, due to modern discrimination laws, we can no longer employ exclusively Greek water nymphs. All species and genders, aquatic and otherwise, will be considered.

    OPEN POSITIONS:

    • Muse of dance: In finding a replacement for this position, we are looking for a candidate who can work closely with white communities. We simply can’t afford another Harlem Shake debacle.
    • Muse of vlogging: With the ever-growing reach of video, we need a self-starter who can expand beyond people reacting to things, putting on makeup, or playing computer games.
    • Muse of app design: Instagram and Snapchat have been essential in the consumption of art in the age of technology. We’d love to have a stake in a hit platform.
    • Muse of listicles: Tell us the top five reasons you’re cut out for the job.
    • Muse of memes: We’re seeking an internet-scholar who appreciates Pepe the Frog and Salt Bae like an oil painter appreciates Picasso.

    QUALIFICATIONS:

    • 5000+ years experience in similar god/goddess position required
    • Only polylingual applicants will be considered
    • Must be able to work remotely and speak in a whisper
    • Proficiency with Microsoft Office

    COMPENSATION:

    • Competitive wage
    • Generous 401k package
    • Eternal life

    I hope to see you all at the mandatory meet-and-greet this afternoon at the pools of Mt. Olympus.

    Regards,
    Management

     

    Nicholai Roscoe is a Denver-based standup comedian and freelance writer. His neuroscience degree has afforded him ample student loans and looks nice on the wall. He performs regularly around the country and contributes to the popular satire website The Hard Times.

     

  • Dream

    Dream

    By Mathias Svalina

     

    You are a lawyer & arguing in front of the Supreme Court. Your argument is subtle yet muscular, structured to lure the justices in until they teeter at the edge of your decision then tip themselves over the precipice. As you finish there is an audible gasp from the audience. You sit & peek at the competing lawyer. She mouths the sentence How can I follow that? to her colleague. You feel proud. You try not to feel smug. But you got this. After the other lawyer’s argument there’s a recess. You wait outside alone & a boy in overalls walks up. This is for you, the boy says & hands you a piece of paper ripped from a notebook. The note reads Please meet me in my chambers. It is signed Justice Thomas Hanks. Just then you remember, it hadn’t seemed relevant before, that Tom Hanks is on the Supreme Court. The boy in overalls says Follow me & guides you through a tangled maze of sliding & secret & trap doors until you arrive at Justice Thomas Hanks’s chambers. Hanks has an old red pickup truck in his chambers, no other furniture. He is sitting in the driver seat with the truck off. He waves you in & you climb in. Hanks chuckles. That was one hell of an argument, he says. But you know what? If I side against you the others will follow my lead. You could say I hold your future in my hands. You realize Hanks is negotiating. What do you want? you say. I want, Hanks turns to you, you to kiss me. You are outraged, but it’s his word against yours & Tom Hanks is the most trusted man in America. You kiss him, a light peck on the lips. No, Hanks says, I want you to kiss me like your children are on fire. You refuse & there is a series of action-movie sequences, chases, explosions, snipers. You end up in a grocery store. There is pyramid of perfectly ripened avocados & you approach them, excited. A man in overalls cuts in front of you, scoops all the avocados up, & tosses them into his cart. You are devastated. You glare at the man in overalls. He pays you no mind. You feel shockingly dejected. You are no longer hungry. You start to leave. But then you see another pyramid of perfectly ripened avocados & you walk over & start squeezing them & they feel so correct.

     

     

    Mathias Svalina is the author of five books, most recently The Wine-Dark Sea from Sidebrow Books. He is an editor for Octopus Books and he runs a dream delivery service, which you can subscribe to at: dreamdeliveryservice.com.
  • Flash Fiction

    Flash Fiction

    By Brian Polk

     

    Prompt given by Josiah Hesse: Watching your entire record collection burn in a fire

     

    Now that the dogs have made it to a safe place and all the humans have been accounted for, there isn’t much else to do. I think about pulling out my phone and capturing the fire on video, but what would I do with the footage? I don’t want to post it on social media with a “myhouseisonfire” hashtag. I can’t stand it when people litter their pages with sympathy-soliciting shock posts. I’m also trying not to document every single thing that happens to me, since I remember a time when people didn’t have video cameras in their pockets. And for whatever reason, I don’t trust that overwhelming urge to utilize my smartphone every time something somewhat unique takes place. I can’t say exactly what’s wrong with going through life like that, but it just doesn’t feel like it’s a very healthy way to live.

    So I keep my phone in my pocket as I walk around to the side of the house to where a window had broken. I feel a pang in my stomach when I see my entire record collection burning at the other end of the living room. It’s quite the sight to behold, since I have over 1,200 LPs and another three to four hundred singles. With that collection, I’ve made thousands upon thousands of dollars DJing throughout the years. I also painstakingly tracked down every record I loved as a kid, and replaced all my tapes and CDs with the LP version. I have almost every record I ever wanted. It’s a collection twenty-two years in the making.

    I shake my head as the realizations pile up: I’m not going to be able to DJ again. I’m not going to be able to sit on my couch with a stack of zines as the sweet punk songs turn at 33 and ⅓ RPM on my turntable. I’m not going to be able to rebuild the collection at the reasonable 1990s price of $8 an LP.  And I’m not going to get to organize my records autobiographically like Rob in High Fidelity — a task I had always been meaning to accomplish.

    But I don’t cry. I don’t bemoan my fate. I just stare. And as soon as I stop dwelling on the consequences of my burning records, two epiphanies grip my thoughts: (1) The smoke from all that plastic can’t be good for the environment. And (2) I’m going to have to get the young IT guy at my job to teach me how Spotify works.

     

     

    Brian Polk has contributed to The Onion A.V. Club, Westword, and birdy, and began publishing his zine The Yellow Rake in 2004, which has released 30 issues over its existence. In 2014, he co-founded Suspect Press, a quarterly literary publication that celebrated ten issues under his leadership. Since 2009, he has played drums in the band Joy Subtraction, which released its second album Hate Will Keep Us Together on Denver’s Sailor Records. More recently, he started another band, Simulators. Follow him on twitter @brianpolk1234. For more information on Placement of Character, go to brianpolk.org.
  • In Possession of a Moral Dilemma

    In Possession of a Moral Dilemma

    By Amanda E.K.

    Illustration by Lonnie MF Allen

    *This story was written with the prompt ‘My Hand Remembers’ as part of a series with the local Knife Brothers writing group

    $$$

    Your impractical satin sheets were the first sign—or should’ve been—that you were never exclusive. It’s not that you hid your reputation, I just couldn’t see past you and me, so I pretended I was your sole interest, or at least that I would become so.

    You stroke my hair until I fall asleep and make me breakfast in the mornings. I know I’m sharing you but I want you every day.

    I chase you tirelessly in my dreams, where you hide in crooked shadows. The theme is recurring but my strategy is never the same.

    Sometimes I hate that I’m like this. Never satisfied, always searching.

    $

    I’ve stolen from every job I’ve ever had. Twenty-dollar bills from cookie jars. A gold chain from a jewelry store. Books and food and recipes.
         I’m in possession of a moral dilemma.

    $

    I like the men who look for that certain something they can’t live without. A grace they’ve been in search of for years. Those elusive Audrey Hepburns of the world. Though I think it’s likely they enjoy the chase more than the catch.
         I think it’s likely I do, too.

    $

    “It can wait,” you said over dinner our first night out.
         “What can wait?”
         “Sleeping together. If you think we should get to know each other better before all that.”
         “I appreciate you saying so, but I’m not interested in waiting.”
         “All right then,” you said and took a bite of chicken. You chewed fast, with a bit of a smirk, then swallowed and said, “I knew I was irresistible.”
         I smirked back. “Not to mention smug as fuck.”

    $

    We met when I’d been recently hurt by an unfaithful partner. Maybe I thought I had something to prove—that I could play the other role—and you at least were aware of my reasons for wanting to be with you. But more than that I liked you, and the intent way you listened to every word. I could tell you anything, which equally thrilled and scared me.

    $

    The first thing I stole was a shiny pencil from the bedroom of a friend. It changed colors in the sunlight—sometimes silver, sometimes red depending on its angle.
         I hid it in my pocket when my friend went downstairs for juice. I was all sweat and nerves waiting for her to return. Her desk was a mess—a Lisa Frank explosion—and I figured she’d never notice.
         I felt a touch of guilt, but I also loved the rush of stealing, the high of taking something that belonged to someone else, and was surprised at how easy it could be done. What did this say about me? Did I lack excitement, or attention? Was I a product of the Devil who always watched me, waiting for me to slip?
         I figured I’d ask God for forgiveness to absolve what I had done.
         The pencil stayed in my drawer for years, unsharpened. Now and then I’d take it out and twirl it, debating whether to return it to my friend or keep it for myself. But I waited too long and eventually threw it out when I moved to college.
         There’s something rewarding about taking stock of one’s possessions.
         I wish I would’ve learned to apply this to relationships.

    $

    “How many women have you been with?” I asked you after our fourth date.
         “At what number will you not want to see me anymore?”
         “That many, huh? I guess I’ll take my chances.”
         “Good. Because I really like spending time with you.”
         “Good. I do, too.”

    $

    We fucked on every surface of my apartment, but at your place kept to the bedroom to avoid the cat. For this reason I may never own a pet. Their constant shedding highlights my stagnation.
         During our off weekends I wandered the city taking photos to sell to magazines. Freelancing never earned me enough to get by, and to fill in the gaps I shelved books at the public library, where I made friends with an eight-year-old named Elsie. I noticed her when the Magic Tree House series began to steadily deplete. I never told her I knew it was her, just kept recommending books I liked at her age.
         In high school my best friend stole Kerouac and Burroughs out from under the librarian’s bespectacled nose. His justification was that he’d share the books instead of leaving them unknown and hidden on the shelf.
         I only took things that passed under the radar. Overstocked and unnoticed.
         Even when told, “Help yourself,” I only helped myself in secret so I could get away with more.
         If it was food, I consumed the evidence. If it was money, I spent it quickly. Whether cheap or costly, the objects in my hand all carried a similar weight: Control. As a child I had low self-esteem. I fed off secrets that no one in my small town could discover—that no one in my small household would take note of.

    $

    “Have you ever stolen from a lover?” you asked one night, after I told you about my secret compulsion.
         I said no because I still didn’t know how many women you’d been with. Also, because it was true that I hadn’t.
         “What’s the biggest thing you’ve stolen?” you asked.
         “As in size, or cost?”
         “Whichever’s the most significant to you.”
         I thought about it while straddling your hips, running my hands over your arms and chest. Our deepest conversations happened while in bed.
         “My grandmother’s buttons,” I answered.
         “What makes them so special?” you asked.
         “They’re antiques, for one. But it’s because I took them after she died, at a time when my grandfather went into rages over the slightest misplacement of her things. I was worried I’d lose his trust if he ever found me out.”
         “Then why take the risk?” you asked.
         “I’d had my eye on them for years. My grandmother would sit, buttons splayed over her coffee table, and tell me the history of each hand-painted piece. They were small enough to keep with me all the time—tied on a string around my neck as a reminder that the things that last the longest are those that we keep hidden.”
         “And do you still have them?”
         “Yes. But when my grandpa died they lost some of their meaning.”

    $

    I think the real reason my grandmother’s buttons were my biggest steal is that they were the only one that didn’t have a practical purpose. It’s not like I used the buttons to repair a shirt. Even the gold chain I stole was a way of saving money on a gift.

    $

    Two months into our relationship I asked who else you were seeing. I asked it flippantly, wanting to play it cool about our arrangement. I liked you enough to want it to work, though I had my doubts that I could manage it long term.
         You said not to worry, that your sleeping with other people didn’t affect how you felt about me.
         I think that must’ve been the second (or third…or eighth) sign that I’d never have you as my own.
         They say we don’t look for the things we don’t want to see. And sometimes we hide what we’re afraid will make someone lose interest. I was naive enough to take the risk.
         Once I’d told you about my habit I was worried you’d see right through me—unveil my subconscious need to possess you. That you’d toss me away like I did my friend’s pencil, my purpose served for your fleeting gratification.
         I wonder: is it possible to steal what I really want, and still want you in the end?
         But if I don’t try to steal you, will I get you at all?
         Call it karma, or comeuppance. But I think that I’ve earned you.

    Amanda is a short fiction writer and educator originally from Iowa. She’s a member of the Knife Brothers writing group – a small collective of short fiction writers – who can be found occasionally haunting the Victorian halls of Lighthouse Writers Workshop. You can find her work in Suspect Press, Birdy, and Jersey Devil Press.
  • Drier Every Day

    Drier Every Day

    By Rebecca Hannigan

     

    We have water, but not much. My daughter takes it straight from the toilet. My husband can’t stay away from the storm drain. It’s dry. It’s getting drier every day. So dry that dinners are different, denatured. Like last night.

    Last night I made noodles. And by “made,” I mean broke into pieces and scattered onto our plates like pick-up sticks.

    It was a culinary excursion. An expedition. An expiation, for all the water crimes we and, more seminally, our parents, have committed.

    “Well,” my husband said and stuck noodles in his mouth. “It’s, umm,” his eyes narrowed to slits, like little accusations. “It could use some salt,” he said, but I could hardly hear him over the sound of my own crunching, my own chewing through cheeks full of uncooked fettuccine.

    “It’s an excursion,” I explained. He didn’t understand. My daughter gave no comment, just kept her face close to the plate.

    After dinner, I stepped outside for some fresh air. My neighbor was standing on his porch. I waved at him.  He waved back. I could see a scaly ring around his mouth and heavy circles depressing his eyes. I called him “Jupiter.” He didn’t laugh.

    I watched him walk inside, and a few moments later, I saw bright TV colors glow through the window.

    I wondered what he was watching. I wondered if I could join him, if I could maybe curl up with him on the couch, drape a blanket over us both, and wrap my arms around his shoulders or his waist and tell him I’m sorry, for the hurt he’s hurting and the want he’s wanting. Maybe he wants dinner—I could offer—and maybe he would say yes and eat appreciatively, even if the noodles were kind of crunchy and needed “some salt.”

    I watched and wondered, but instead of doing anything, I turned back inside to get my daughter ready for bed.

     

    It doesn’t smell so bad, not showering. If you don’t inhale.

    We buy all of the deodorant, cologne, body spray, breath mints. There’s no shampoo. I say to my daughter, “My hair is greasy, but my skin is dry. How does that make sense?”

    She shrugs. “How does anything make sense?”

    I consider shaving my head. I ask what my husband thinks. He is too busy with his face stuck in his cereal, lapping up the last of the milk molecules stuck to the sides of the bowl.

    “Yeah, uh-huh,” he says, finally lifting his face and jingling his keys, ready to leave for work. “You have a great day too,” he says, as if to suggest he stopped listening long ago.

     

    I go to the store with my daughter to buy a buzzer. She glares and says I’m old-fashioned when I smile at people. When I shop, stand in line, swipe the card. She reminds me that common courtesy has gone out of style. I tell her, “I know. I know that there’s no need to be polite, but a habit is hard to kick.”

     

    What is not hard to kick: the empty water gallon, sitting on our kitchen floor, so full of its own emptiness—and our cat, who steals more sips out of the sink than any of us.  

     

    The sink is now full of hair, russet clumps from my scalp. The buzzer quivered, quick. I’m surprised. My head is bald. My daughter looks horrified, but I smile. I’ve wanted a reason to do this for a long time. Not much else in this new world feels right, but this. This feels right.

     

    I’m smiling when the neighbor calls, asking to borrow a few ounces of water for coffee. It’s Friday, and he’s already used up his ration for the week. He’s desperate.

    “Sure,” I tell him. “Come on over.”

    He sits down on the couch while I carefully administer the right ratio of ground coffee to hot water.

    “I like your hair. Or lack thereof,” he says and smiles. He looks at me shyly at first, then curiously, letting his eyes move all over my face and neck and chest and shoulders.

    “Thank you,” I say, and smile back. He keeps looking, and smiling, warmly. I shudder, feeling the heat radiate from his lips, his teeth. I move to sit next to him, and he looks away to add the smallest amount of milk to his coffee. Milk is limited, what with cows drying up and dying, along with the rivers.

    “You’ve lived next door since my daughter was born,” I say, because I just realized.

    He nods.

    I scoot closer. “You’ve stuck around, even when the other neighbors have left.”

    He nods.

    “My husband’s job keeps us here,” I say, watching him watch his coffee. “But we’re pretty thirsty. At least, he’s pretty thirsty, and angry. He wants to go to the coast soon. See how the desalination science is going.” I close my eyes and lean back. “Isn’t it crazy, what they say? That those of us whose bodies are able to handle more salt have a better chance of surviving? And those who can’t…”

    He nods and finally looks at me again, with eyes larger than the cup in his hands. Large like the lake beds, the rivers and reservoirs, all dried up.

    “Do you get lonely over there, all by yourself?” I ask, thinking about the TV lights last night. He doesn’t say anything, but I feel his body shift next to mine. His leg is only inches from my leg, and I can almost feel its pressure.

    “Why are you so polite?” he asks. “Nobody’s generous anymore.”You could’ve kept this to yourself.” The inches are no longer inches, and I actually feel his leg against mine. “What do you want in return?” he asks.

    We look at each other with such intensity, that it almost hurts to look, or to look away, and I have no idea how to say what I want, and we keep looking, and it feels longer than I’ve actually looked at anyone, really, or really been looked at, and soon it’s not just looking but touching, his hand on my hand and up to my arm and elbow and shoulder, approaching my neckline, and I think this is maybe what I’ve been wanting, and I start to move my face closer to his face when I hear a small but sharp sigh coming from a few feet away, coming from my daughter, who has just walked into the room.

    Mom,” she says. She lets her tongue fall out of her mouth. “I feel like a piece of dried fruit.”  

     

    My neighbor leaves out the back door as my husband comes in through the front. My head, my heart, suddenly feel cold.

    Where is your hair?” my husband asks.

    “I . . . I shaved it.”

    “Well I can see that,” he says, with his face twisting like a rag. “But why?”

    “To save water—” I say, but he isn’t listening. He’s pacing the kitchen, and my daughter stands in the doorway, her body stuck between two rooms.

    “I know there’s nothing to drink, but is there anything to eat around here?” he asks angrily, opening and closing cupboards.

    “I asked you,” I start to say.

    “What?” he spits. “You asked what?”

    “Before you left, I tried to ask you what it would look like if I . . . if I shaved my head,” I say and then realize that I’m crying, and I’m amazed at the thick, wet tears that cannot stop coming from someplace I forgot about, some sort of reserve I must have been keeping, despite the fact that I’ve felt so dry this whole time. I’m crying, and I can’t stop, and I don’t understand how my body can hold on to so much water when nothing else in the world seems to be able to. “I’m going to get the last bottle from the garage,” I finally say.

    “Why are you getting it? That’s for next week!” he yells.

    “Why are you yelling?” I yell back. “I just want, I just need a little—” I start to say but I realize I am telling the wrong person, so I don’t finish and then I’m in the backyard with my shirt sleeves mopping up the spill under my eyes.

    I don’t notice my neighbor, not until I have the water bottle in my hands and am almost out the back door to the alley.

    “Hey,” he says.

    “Hey.”

    He looks at me, takes a step forward. “You never answered me,” he says. “I want to know how I can pay you back.”

    I breathe slowly, out, then in. I feel the weight of the water bottle shift in my palms. “Well,” I look at the water, then up at him. “You could make me a cup of coffee.”

    I look back at my house. My husband, my daughter, and then me, without water. I follow my neighbor to his place, wondering if I’ll still feel dry when I get inside.

     

    Rebecca lives an uncomplicated life in Denver, where she works as a junior editor for Tethered by Letters and waits tables at a restaurant, although, waits for what, she doesn’t know. Her work can be found in Maudlin House, the Mountain Goat, and Suspect Press. Look for her at your local bookstore, but don’t follow her on twitter, unless you want to be followed back.